Thursday, January 2, 2020

Dub Poetry in and from Jamaica - 9895 Words

Table of Contents 1 Introduction 2 2 History and Development of Dub Poetry 3 2.1 The Development of Jamaican Creole – Short Overview 3 2.2 The Oral Tradition 4 2.3 From the B-side of a Record via â€Å"Toasting† to Dub Poetry 6 3 The Correlation of the Rastafarians, Reggae and Dub 9 3.1 The Rastafarians 9 3.2 The Peculiarity of Dub 10 3.3 Artists and Scenes 12 3.3.1 The Jamaican Scene 12 3.3.2 The British Scene 13 3.3.3 The Canadian Scene 14 4. Structural Characteristics of Dub Poetry 15 4.1 Patois – the Language 15 4.2 Rhythm 15 4.3 Performance 17 5 Linguistic Analysis of Dub Poetry Lyrics and Performance 18 5.1 Linton Kwesi Johnson 18 5.2 Wat about di Workin Claas? 19 5.3 Tings an Times – Performance Aspects in Comparison 21 6 Reflection 23†¦show more content†¦It is closely connected to the period of massive slave importation and the miserable circumstances of the slaves during the period of British colonisation in the West Indies. The developmental history of language in British colonies like Canada or Australia is extremely different from that of the West Indies. The settlers predominantly from the British Isles spoke English and automatically passed the language on to their descendants and to others through close contact, whereas in the West Indies slaves from divergent African regions were imported to work on sugar plantations, with most of them stemming from different linguistic backgrounds. People were hardly able to communicate among each other and therefore it came to â€Å"a restructuring of English that resulted in Creole, a distinct language system with words derived from English but with phonology, semantics and morphosyntax influenced by African languages and other forces† ( Holm 1994: 328). The slaves were hardly in contact with the white English speaking population but had to communicate with the other slaves and the white overseers. 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